Do you like reading history? Well.. history teach you what makes nowadays condition. What makes your environment today, your village, your city, your town, your country, even the world your living today. The history also teach you how people in the past make mistake so that, expectedly, you don't repeat the same mistake as they did in the past. Therefore the history is important. In the smaller scope, history tells you how you werw become you are nowadays. There are lots more advantages to learn

Jumat, 04 November 2016

Beard Fetish in Early Modern England

Beard Fetish in Early Modern England
9e6hAgAAQBAJ
312
By:"Dr Mark Albert Johnston"
"Social Science"
Published on 2013-05-28 by Ashgate Publishing, Ltd.

In \u003cb\u003eearly modern England\u003c/b\u003e, that phallic unity, fullness, completion, and \u003cbr\u003e\ntranscendent, mystical “body without body” or “invisible visibility,” as Derrida puts \u003cbr\u003e\nit, had traditionally informed representations of the mythic hermaphrodite; but with \u003cbr\u003e\nthe rise of ...

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Focusing on representations of beards in English Renaissance culture, this study elucidates how fetish objects validate ideological systems of power by materializing complex value in multiple registers. Providing detailed discussions of not only bearded men but also beardless boys, bearded women, and half-bearded hermaphrodites, author Mark Albert Johnston argues that attending closely to early modern English culture's treatment of the beard as a fetish object ultimately exposes the contingency of categories like sex, gender, age, race, and sexuality. Johnston mines a diverse cross-section of contemporary discourses—adult and children’s drama, narrative verse and prose, popular ballads, epigrams and proverbs, historical accounts, pamphlet literature, diaries, letters, wills, court records and legal documents, medical and surgical manuals, lectures, sermons, almanacs, and calendars—in order to provide proof for his cultural claims. Johnston’s evidence invokes some of the period’s most famous voices—William Shakespeare, Ben Jonson, John Lyly, Phillip Stubbes, John Marston, George Chapman, Thomas Dekker, Thomas Middleton, and Samuel Pepys, for example—but Johnston also introduces us to an array of lesser-known Renaissance authors and playwrights whose works support the notion that the beard was a palimpsestic site of contested meaning at which complex and contradictory values clash and converge. Johnston’s reading of Marxist, Freudian, and anthropological theories of the fetish phenomenon acknowledges their divergent emphases—erotic, economic, racial and religious—while suggesting that the imbrication of diverse registers that fetish accomplishes facilitates its cultural and psychic naturalizing function.

This Book was ranked 19 by Google Books for keyword early modern england.

The book is written in enfor MATURE

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